Learn about the factors you need to take into account to safely store delicate or aging documents with minimal damage and how digitization can help preserve documents into the future.
To celebrate the hundredth anniversary of the ratification of the 19th Amendment giving women the right to vote, libraries and museums are showcasing the historical artifacts of the century-long movement. Looking at these collections, it’s easy to see how the stories we learned in school can leave out some of the most interesting bits of history. That is why historical collections, no matter how niche, are important to filling the gaps that history books leave out. In this way, a digital collection becomes more than a collection of papers or photographs; it becomes a narrative of history.
Library of Congress’s Suffragette Exhibit
In a year affected by COVID-19, online access to historical collections is more important than ever. Exhibitions that would usually be offered in person have moved partially or completely online to continue educating and inspiring those who can’t visit. The Library of Congress is one of the organizations turning to the internet to celebrate the women’s suffrage movement. In addition to in-person exhibitions, they’ve created an online exhibit for people to explore.
The “Shall Not Be Denied: Women Fight for the Vote” online exhibit does more than simply display digital versions of the items in their collection. The Library of Congress organized the exhibition to tell a story. Rather than just present the artifacts, it narrates the different eras of the suffrage movement. Visitors can explore the early, post-Civil War women’s movement; see the picket lines in front of the White House; and learn about the brave women of color who are rarely included in history books. Though often condensed, the women’s suffrage exhibit tells a larger story of a movement that survived and changed over decades.
Beyond the main exhibition, the Library also links out into more focused collections, such as Photographs from the Record of the National Woman’s Party and Women’s Suffrage in Sheet Music, to expand on their narrative. These collections are unique, and on their own don’t tell a story. But when combined with the main exhibition’s narrative, these smaller collections add humanity to the historical figures showcased. These were impressive and creative women who lived and fought for their rights.
Telling a Story with Your Collection
One of the most important parts of a collection is the story behind it. It could be the story of gathering the materials or the story behind the artifacts, but the larger narrative is what the audience connects with. Researchers or avid enthusiasts may be able to appreciate a collection with little more than the artifacts themselves, but if your goal is to share, inform, or educate people who are new to the subject or wanting to expand their knowledge, then building a narrative is essential.
Having a strong narrative to your collection not only leads the visitor to the most important or interesting artifacts, but it puts the collection into historical context. Even journals or detailed records need context in order to enrich the history they represent. Without context, the women of color highlighted by the Library of Congress’s More to the Movement section of their women’s suffrage exhibit are just pictures and names. It’s the context of their place in the story that explains how important the women were to the suffragette movement and why they were overlooked by history.
How Digitization Can Improve Your Collection’s Storytelling
An online collection has advantages over a physical collection, one being an improved opportunity for storytelling. When a person visits an exhibit in person, they can only see what is displayed at that time. In many cases this is only one part of a larger collection. Space, condition, and security can keep amazing artifacts from in-person viewing. People must also move through a gallery and could miss items meant to be experienced together.
By digitizing, the entire collection is at the visitor’s fingertips. No need to hide away the most interesting pieces in order to protect them from deterioration. Millions of people can see these rarely shown items whenever they want, and the inclusion of these artifacts will enhance the integrity of the larger story.
Instead of wandering a physical gallery, possibly missing items due to crowds or time limitations, an online collection has the advantage of linking items together. As visitors follow these artifacts through the story behind them, they can choose to leave the path and go down a side story through direct links to other artifacts or web pages. Once done, they can easily return to the main narrative without missing anything. Since a digitized collection is available 24/7 online, visitors can come and go when it’s convenient for them.
People don’t always remember names or dates of historical events, but a well-told story that brings those events to life is easy to recall. Artifacts and documents enhance that story. They give proof of what happened and voice to people long past. Your collection has a unique story to tell, if you let it.
Do you have pieces of history that you’d like to see displayed as a narrative that could impact the world? Anderson Archival can help. Give us a call at 314-259-1900 or an email at info@andersonarchival.com today!
Learn about confidential digitization, and how the benefits of a private digital collection enhance the collection itself, even when that collection isn’t public.
Principal Farica Chang’s post in Just Luxe discusses the importance of conserving your legacy for the next generation. Whether that conservation is physical or done through digitization, ensure that family, community, and society members can access their history.
Do you have a historical document collection that you’d like to make more accessible, relevant, and impactful? Anderson Archival uses proprietary methods to digitize collections so they are easily searchable, ultimately accessible, and even more meaningful to a wide audience. Let us help you preserve your legacy today! Give us a call at 314.259.1900 or email us at info@andersonarchival.com.
What are Quotables? This is a category in our posts to highlight any professional publications that benefit from our expert archivist experience and quote us in articles for their readers.
Principal Farica Chang’s post in DigitalEdge covers the basics of moving to a paperless office. This process can feel confusing or downright overwhelming, especially if you don’t know what your goals are or how to start.
Do you have a historical document collection that you’d like to make more accessible, relevant, and impactful? Anderson Archival uses proprietary methods to digitize collections so they are easily searchable, ultimately accessible, and even more meaningful to a wide audience. Let us help you preserve your legacy today! Give us a call at 314.259.1900 or email us at info@andersonarchival.com.
What are Quotables? This is a category in our posts to highlight any professional publications that benefit from our expert archivist experience and quote us in articles for their readers.
The global response to COVID-19 has included mass closures, urging the public to stay at home and “shelter in place.” These conditions are not exactly conducive to visiting collections of art, books, or historical documents. Unfortunately, that means the majority of research, study, and reference has come to a stuttering halt. Unless, of course, the collection, museum, library, or entity has a robust internet presence that allows for faceted search, guided tours, and, most importantly, remote access.
For an organization like the St. Louis Art Museum, online access to the arts was already a major part of their mission. When the museum temporarily closed due to COVID-19, expanding access on that existing framework was a natural next step appreciated by those prevented from visiting in person.
Social Media Integration
Regardless of their social media presence prior to the mass temporary closures, museums now use these channels to reach new and dedicated audiences. The St. Louis Art Museum, for example, shares a piece of art every day on their website and social media.
Many museums already utilized Twitter, but recently they’ve ramped up their presence. Themed hashtags add a little fun by offering beautiful samplings of art or something a bit creepier. Even something as simple as a security guard learning the ropes of Twitter to showcase the National Cowboy Museum has made the news. All draw eyes, virtual visitors, and donation dollars.
No matter if they post every day or only once a week, these organizations bring a little bit of brightness to the digital landscape.
Participate at Home
Students and bored creatives stuck at home have been thrilled by interactive challenges and activities facilitated by museums. The Getty Museum challenge, where participants try to recreate a classic work of art with household objects, has generated some incredible depictions of time spent at home due to COVID-19.
Blanton Museum of Art, out of The University of Texas at Austin, has a wealth of #MuseumFromHome material including informational coloring pages, the perfect addition to an at-home art class or zen coloring for a quiet evening.
Is your museum or collection left in the dark because of limited in-person access? Contact Anderson Archival to explore your options!
Virtual Tours
Beyond having materials available and searchable online, many museums offer virtual tours. These videos or guided web pages move beyond a collection of viewable documents to include video, commentary, and themes.
For a fee, the Winchester Mystery House can be experienced from the comfort of your home. The Immersive 360 Tour brings visitors through the bizarre building with narration and historical details.
With or without the optional Virtual Reality experience, the Pitt Rivers Museum’s online walk through is breathtaking. No need to worry about crowds or the price of getting to Oxford, UK; this resource provides the means to spend time looking at every exhibit at your own pace, enjoying the nuances of a museum with artifacts grouped by theme rather than time or place.
The natural world isn’t beyond a virtual visit, either. The Nevada board of tourism offers “Roam from Home,” with Google Earth explorations of ghost towns, landmarks, and even a forest of cars.
Collections of documents and printed matter make for stunning virtual visits in different ways from many of these examples, and a guide through themed virtual exhibits invites digital guests to sit down and explore the material in a new way.
Combining a few of these strategies and learning opportunities is the Library of Congress. Turning 220 years old this year is cause for celebration. Social media posts with #LOC220 will involve everyone! LOC also has an extensive series of webinars, videos, and interactive events that showcase their collections and ways individuals and families can learn from home.
The extra features and enhanced access that COVID-19 has unlocked don’t have to disappear when life returns to normal. One silver lining to this global pandemic is that it has invited everyone to rethink the ways people experience the world. Why not continue an interactive program with your collection? And even when physical visits are available once again, consider just how much a searchable online library accessible anywhere improves upon a single room with a finding aid.
Have you been inspired by the ways online access has been highlighted and cherished lately? Anderson Archival can help take your collection into the digital world. Give us a call at 314-259-1900 or an email at info@andersonarchival.com today!
Learn the appeal of building a shareable online library, and the benefits one can provide your organization in Anderson Archival’s explainer.
Why digitize?
This is the question many archive owners, collectors, and curators face. In an increasingly digital world, analog access to collections and archives is still the norm. But should it be?
A Philosophical Question
If a tree falls in a forest and no one is around to hear it, does it make a sound?
In the spirit of that popular mental exercise, if a physical archive exists but no one can access it, does it impact the world?
Sadly, this is the state many archives find themselves in.
For collectors and curators, the problem of access is one that can seem insurmountable. Many collections are housed in personal residences, in a dedicated room of a library, or even in storage. Finding aids such as indexes or the Dewey decimal system assist those who can visit the material in person, but the barriers to access are high.
The Limits of Physical Access
Take the example of a hypothetical newspaper archive. The entire collection, frequently cited in family genealogy research, is only accessible in one location. Rather than attempt to visit the collection, researchers call the curator with their questions. Often, these researchers only know a name or a location or some other fragment of data, so the curator must wade through decades of material, and once they discover the desired information, the researcher receives a copy or scanned image.
For researchers, limited access means the process takes time and reliance on someone else to find the information they seek. Often, copies of originals come with a price tag because of the labor involved in retrieving them. Other times, the cost is borne by the original material, which experiences wear with every turned page.
For the curator, the system seems to work. People can access and use the collection to enhance their research. Why should they digitize?
A real-world example of how digital preservation could have benefited mankind is that of the Museu Nacional of Brazil, which was almost completely lost to fire in 2018. It was the home of many unique collections and a frequent travel destination for researchers. Just months before the blaze, researcher Cassia Roth had traveled to the museum to view one of the exclusive collections in the massive archive housed there.
I was there for just a few days, so I only took pictures of a small fraction of [the] collection, telling myself that I could always come back—the archives were not going anywhere,” she wrote.
The museum was a hub of research and innovation for hundreds of years, but lacked funding. Why should they have digitized?
Ultimately, if access and exposure are important to the curator of a collection or archive then digitization should definitely be considered. Don’t let inertia prevent you from taking the initial steps towards digitizing your collection.
Types of Digital Access
The good news is that digitization can revolutionize how a collection or archive is accessed and used. Each collection is unique and some types of digital access may be more suitable than others.
Every level of digital access eliminates the limitation of physical location, offers enhanced search options, preserves the original documents from continued exposure, and provides a mechanism through which your archive can be utilized fully.
Access is merely one of the powerful arguments for digitizing your collection. Are you ready to start the process and protect your collection from an uncertain future? Contact Anderson Archival today at info@andersonarchival.com or 314.259.1900.
When most people hear the term “technology obsolescence,” outdated hardware is probably what comes to mind. For archivists, though, a more covert danger to collections is outdated software. Once digitized, it’s easy to think that the collection is safe for decades or longer, but in reality, it may have far less time before it’s in danger of obsolescence. It’s not a matter of will this digital collection last, but will there be technology available to access it?
Backwards Compatibility
The consumer software industry relies on people upgrading from one version of their software to the newest version to make a profit, and that can be both good and bad for the consumer. On one hand, newer versions often fix problems found in previous iterations and add helpful new features. But if those changes aren’t enticing enough, and the old version serves its purpose just fine, what incentive does the consumer have to upgrade? Often the answer is forced on them by the software itself: no backwards compatibility.
Backwards compatibility is the ability of the software to read and run files created by previous versions of the software. A familiar example would be the difference between Word files ending in .doc and .docx. The current version of Word creates files as .docx, but it can still easily read .doc files (the format of Word from 1997-2003) without any problems.
For many types of software, backwards compatibility only goes back one or two versions, and this can have detrimental effects on digitally recorded archives. The film industry is already dealing with the problem of obsolescence. Digital film is saved on magnetic storage tape known as LTO, or linear tape-open. This type of storage is capable of storing data for thirty to fifty years, which would seem like plenty of time to deal with any danger to the data.
But as each new version of LTO is released, the software that reads the magnetic tapes can only read one or two versions before it. Meaning by the time LTO-5 came out, LTO-1 thru LTO-3 were obsolete and unreadable by modern software. This has shortened the effective lifespan of the magnetic tapes from three to five decades to less than ten years, and if film archives don’t keep up, even films created in the last twenty years could be lost.
Hardware Obsolescence
While software obsolescence is a pressing problem for archivists, hardware obsolescence cannot be overlooked. It doesn’t matter how perfectly a collection is preserved if the media it’s recorded on can’t be read anymore.
Data on a well-preserved 5.25 floppy disk is just as inaccessible as data on a damaged or corrupted floppy disk, since modern computers no longer have a drive to read it.
Archivists need to be aware of what types of hardware they use to store digital data, and how close or far the technology is from becoming obsolete. The Digital Preservation Coalition maintains a “Bit List” of Digitally Endangered Species to help preservationists and archivists stay aware of the longevity and vulnerabilities of digital mediums and collections.
Properly configured cloud storage may be a good option for some archives to consider as it can be accessed by any device with internet access. This avoids the problem of computers needing compatible hardware to access a remote storage device. It also frees the archive of the responsibility to constantly purchasing new hardware to maintain the digital collection, as cloud service providers will manage all hardware upgrades for the digital environment.
What Does Obsolescence Mean for Digital Archives?
Digital archivists must remain vigilant in order to stay ahead of the danger of obsolescence and include mitigation in their overall digital preservation strategy. When determining the file format and storage materials used to house a digital collection, archivists and their clients should consider the following:
When choosing a file format that will last, an archival or ISO file format is the safest route. These file formats are designed to remain compatible with new software and retain the document’s integrity regardless of what program or computer opens it. Both the Library of Congress and the National Archives provide recommendations for the preferred file formats for digital preservation.
For collections already digitized in endangered or at-risk formats or hardware, a preservation plan needs to be put in place. This plan should cover conversion to safer formats, where possible, and migration of the data from the old media to a more lasting medium. Most important of all, this plan should require multiple backups of the collection in a variety of places, such as a remote storage device kept in the office and/or a secure, secondary location, and a reliable cloud backup that is kept up to date. This ensures that the loss of any one doesn’t mean the loss of the entire digital collection.
For those who prefer to outsource their digitization efforts, make sure the archival company won’t just scan it and forget it. An expert archival company should help you formulate a plan for technology obsolescence. Digital collections are meant to last long into the future, not vanish along with the technology of the past.
If you want help safely storing and preserving your digital collection for future generations, contact Anderson Archival at 314.259.1900 or at info@andersonarchival.com.
Learn about a key part of the digitization process in this Anderson Archival explainer.
