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Archive for category: Special Projects

Protecting History with DLME

Protecting and Preserving History in Uncertain Times

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What is the duty of a library or museum? Take a moment to come up with some answers. Did you say…

  • To preserve knowledge?
  • To protect the history and cultures of past peoples?
  • To share that knowledge and history with the public?
  • To help people learn about the world around them?

You probably didn’t answer to make looting of antiquities unprofitable or to catch criminals selling black market artifacts. But that’s just what the founding organizations of the Digital Library of the Middle East (DLME) envisioned in the wake of physical, cultural, and political conflicts in the Middle East and North Africa (MENA).

Soon, their vision will be a reality.

What is the DLME?

Founded in 2016 by the Council on Library and Information Resources (CLIR), the Digital Library Federation (DLF), and the Antiquities Coalition, the DLME intends to bring together existing Middle Eastern digital libraries from institutions and private collections around the world into a single searchable platform. The DLME will include all types of cultural heritage materials, extensively photographed, catalogued, and searchable in multiple languages.

Through this free-to-use online platform, the DLME intends to serve the “partners and peoples across the Middle East and North Africa—to help reveal, share, honor, and protect collections of cultural materials and the living and historical cultures they represent.” This platform offers scholars and researchers ease of use and includes images, metadata, location, and provenance when available for all items listed.

However, they want to be far more than a resource for students and scholars. Wars, both civil and foreign, have decimated the MENA region. Black market antiquities trading is a consistent source of income for terrorist organizations and warring states. The DLME will provide a large-scale database of known artifacts—documented and digitized—that customs officials, law enforcement agencies, and art dealers can use to determine if an item was stolen or looted from a conflict area. This not only helps to return objects to their rightful places, but also stops terrorist groups from funding their activities.

The Antiquities Coalition created this infographic to show just how digital databases help mitigate looting and the illegal antiquities trade. The DLME intends to bring countless databases together, making searching for the history or authenticity of an item far easier.

Antiques Coalition Combat Looting Infographic

Why Do We Need to Digitally Safeguard History?

In the past 20 years alone, countless artifacts, manuscripts, and historical sites located in conflict zones have been lost. In 2003, while U.S. troops entered Iraq to remove Saddam Hussein from power, Baghdad’s Iraq National Museum was looted of nearly 15,000 items, including “ritual vessels, heads from sculptures, amulets, Assyrian ivories, and more than 5,000 cylinder seals.” The looting lasted 36 hours before U.S. troops finally secured the site.

The loss could have been much worse. Many of the most valuable items were moved to a secret storage area known only to five people to safeguard them from looters, and a trove of gold, jewelry, and precious stones had been moved decades before to the Central Bank’s vaults for safekeeping.

Recovering these items was further complicated by the lack of computerized documentation or photographic evidence. The Iraq National Museum had only begun the process of cataloguing its massive inventory into a single digital database when the looting occurred, and since it was a repository for artifacts from recent excavations, many items lacked even hand-written documentation. Thanks to an amnesty program, many of the items were returned voluntarily, and others were found in raids or reported by customs officials and art dealers. But despite all the progress, more than 8,000 items from the Middle East’s earliest historical sites are still missing.

More recently, the war against the Islamic State (IS), or ISIS/ISIL, resulted in the mass destruction of two major UNESCO World Heritage sites, the cites of Nimrud and Hatra. After capturing the cities, IS forces proceeded to bulldoze and otherwise destroy as much of the cities as they could. This was done not merely to remove what they considered heretical idols, but to cover up their extensive looting of antiquities to be sold on the black market.

During a 2015 raid on IS commander Abu Sayyaf in Syria, numerous Iraqi relics were found ready to be sold. Further evidence showed that IS had profited millions of dollars not only from the antiquities trade, but from taxing those pillaging excavation sites. Just how much was lost to looters and the wanton destruction that followed is still being discovered.

If a database like the DLME existed during these times, officials and law enforcement agencies would have had access to accurate documentation of catalogued artifacts to catch looters trying to smuggle out the stolen pieces. Also, museums and governments would be able to confirm ownership on a contested artifact that managed to enter the legitimate art trade. Most importantly, future generations would have a full record of what was lost, even if it couldn’t be recovered.

The DLME’s Value to Research

While the DLME does want to combat the illegal trade of antiquities from the Middle East, its core principal is one of access, research, and outreach to the community about the culture and history of the MENA region. It has already partnered with the Qatar National Library and the Stanford Libraries, as well as other museums and libraries around the world, for inclusion in the DLME’s searchable platform.

The DLME’s prototype is already in use by scholars, allowing for discoveries that would have remained unknown if not for the federation of so many various source institutions. Through the DLME prototype, Jacco Dieleman, an Egyptologist based in Washington, D.C., located two papyri in the University of Pennsylvania’s Rare Book & Manuscript Library, one of which had never been published. Thanks to the DLME, this piece of history could now be included in Egyptology research.

As more databases are added to the DLME, the qualitative value of its results will substantially improve the cultural conversations and research about the MENA region.

When Can You Use It?

You may have noticed above that the DLME is currently a prototype, but that doesn’t mean you can’t use it. The DLME is able to reference more than 130,000 records from various institutions around the world. These can be searched in a variety of ways, such as by language, location, country of origin, era, type of item, creator, and more. And it won’t be a prototype forever.

In April, the Andrew W. Mellon Foundation awarded the CLIR $1.12 million to complete the DLME. When finished, the DLME will be accessible online and through any mobile device. The final version is expected to launch in 2020, though the CLIR and DLF intend it to grow and adapt with changing technologies.

 

In “The Critical Role of Digital Libraries,” Peter Herdrich of the DLME and Antiquities Coalition stated, “Creating inventories, documenting collections, and making digital records accessible are considered best practice for heritage collections and are widely used around the world.” He goes on to say that making the DLME publicly available “help[s] to safeguard a fundamentally important expression of our humanity.”

Ultimately, that is the goal of most digital collections: to share knowledge in order to protect and preserve a part of our past or present civilizations. Through digitization and thorough documentation, we are better able now than ever before to ensure the survival of culturally or historically significant materials, even if the artifacts themselves become lost or destroyed.

If you’d like to start a digital collection of your own, or need a search platform to make an existing digital collection more accessible, contact Anderson Archival by phone at 314.259.1900 or by email at info@andersonarchival.com.

A Tailored Approach to Confidentiality

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Picture this: you’ve spent a long time saving for an expensive tailored suit. Late nights at the office finally paid off, and now you’re prepared to invest in a sleek bespoke suit customized exactly to your specifications.

When you need that suit to be styled and fitted, would you trust just any tailor listed at the top of your search results? Or would you take time to research who will handle your prized possession with the utmost care and caution?

It’s important to find a vendor who will keep your digitized collection safe from time’s unforgiving decay—one who cares about how your materials are handled during each step of the digitization process and beyond.

Ethical Standards

Materials in your collection are confidential, delicate, and unique. There’s no cookie-cutter approach; every collection is fulfilling a specific community’s needs. Whether that community is the entire world or only for your eyes, ethical values matter. Care and confidentiality should direct every decision in the preservation process.

The Society of American Archivists (SAA) provides resources and guidelines for archivists across the country. This includes a detailed set of core values and a code of ethics that archival experts should use to steer their individual missions.

You need a vendor who incorporates SAA’s ethical standards—professional relationships, judgment, authenticity, security and protection, access and use, privacy, and trust. This not only affects the client-vendor communication, but it dictates how each element of your collection is treated in every phase of the project.

Storage and Destruction

Handing over your unique collection is no easy task. Like in the case of the Harding Affair Letters, you may have struggled to keep certain materials safe from people who wanted to hide or destroy timeless resources. Even if you trust the archivists you’re leaving your collection with, what guarantees they’ll treat the materials in a way that reflects their worth?

Find a team who lets you call the shots on how your materials are handled and stored. You need archival experts who are trained in working with fragile and sensitive documents. Additionally, the restoration techniques and equipment used by your vendor should be focused on maintaining the integrity of each artifact.

The rare client may ask that certain materials be permanently destroyed after preservation. In these cases, ensure your partner has a plan in place! Destruction processes should include responsible, secure methods to dispose of documents and hardware, taking careful consideration to maintain both the client and project’s privacy as well as taking into account environmental standards.

Legal Duty

Privacy and intellectual property are paramount. You should ensure every set of eyes or hands that touch your collection have signed a binding nondisclosure agreement (NDA). This includes archivists, office personnel, and perhaps even janitorial staff who have access to the premises. If there’s any chance someone could stumble across evidence of your collection, a strong confidentiality agreement protects your data at every conceptual step of its digitization.

Along with strict NDAs, make sure your selected vendor sets rigid internal guidelines about handling the intangible aspects of your collection. Staff should be told only the amount of information about a client needed to do their job—that part’s up to you. Your anonymity can be protected just as well as the physical collection.

 Documentation

Every project requires unique documentation, but setting general standards for record-keeping is a strong first step. Successful documentation ensures successful accountability, which is one of SAA’s core values.

At the start of every digitization project, make sure the vendor analyzes each item and the collection as a whole to assess what each task will entail. Have your original manuscripts or photos seen better days and need an extra round of cleanup in the digitization process? Are there torn pages, handwritten notes, or other text obstructions? Standardizing processes keeps the team on the same course, achieving uniform quality on each page of your collection.

Equally important to accountability is providing examples while the project is in progress. Need weekly reports on the development of your future online collection? Want a mockup or wireframe of the database or publication? Care to test the search functions or capabilities of your custom software? Make sure you have a partner committed to transparency and open communication.

Balancing Privacy and Access

Drawing again from SAA’s code of ethics, one of archiving’s ultimate goals is providing access and use. More often than not, if you’re investing the time and funds to preserve a collection it’s because you wish to share it with others. That’s why it’s at the top of SAA’s list of core values. Making your collection accessible is hard to do when it’s limited to boxes of papers or file cabinets in one physical location.

But good access and privacy don’t always play nicely with one another. Finding that middle ground is always possible, but this depends on you and your collection’s individual needs. If you want a database that’s for your organization’s internal use only, your digitization partner should approach your project differently than if you plan to market your collection for public use or charge users for access. Copyright laws, content, and protection of intellectual privacy put additional limits on the scope of access and use of your collection.

 

Just as you might wear a beautiful custom suit to a large public event or save it for a private party, you should be able to rest assured that your collection is tailored and fitted to perfection, crafted for its specific purpose. You should also feel confident that your measurements won’t be shared with anyone without your permission!

At Anderson Archival, we treat every step of a digitization project as a new challenge, letting your collection’s individual goals guide our path. This includes safeguarding your information and putting the privacy of your collection first. For more information about how we value confidentiality in our archival process, contact us today at info@andersonarchival.com or 314.259.1900.

Is Social Media the Best Way to Share Your Digital Library?

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Even on the most social, shallow corners of the internet, it is becoming hard to miss the world of museums and archives. For advocates of sharing and learning from history, that’s excellent news.

When building or preserving a collection, a common pressing question is “How do I get this important document in front of those who don’t even know it exists?”

The largely on-demand nature of the internet means that knowledge and familiarity have to, in some way, precede a search. But when your collection lives outside the realm of the typically encountered, searches can be rare.

Social media circumvents this. While gathering content and followers can be a slow process, a digital library shared on Twitter or Instagram can go from obscure to viral in the blink of an eye. Many museums have already captured this momentum. Successful accounts like New York Times Archives and The Met Museum set the bar high, but so-called smaller collections can find a niche audience in this medium as well.

With these successes, it becomes easier to understand why some museums and collection curators build their sharing strategy around social media.

Does this tactic encourage viewers to treat their experience superficially, as Philip Kennicott argues in a review, or does it fill a desire on participants’ parts to be entertained and to interact? If “the only reason people know about it is because of Instagram,” , isn’t that, on the simplest level, more eyes on the art?

Ultimately, there is no denying that social media boosts awareness. Whether it changes the viewing and learning experiences is still to be discovered.

Why would a curator or director refuse to embrace and utilize social media in sharing their collection?

The Topic Is Too Niche

The internet is an ideal environment and means of finding researchers and appreciators of that very niche. Take, for example, this account about the former St. Louis football team, the Cardinals. While the Cardinals are a ubiquitous name for St. Louis baseball, the historical football team is far less known, and yet this Twitter account showcasing historical Cardinals football items has found a large following.

The Topic Isn’t Interesting

Wait. You’ve spent years and money preserving a collection that isn’t interesting? Doubtful! There may be dense text included in a collection, but interest is in the eye of the beholder – and there are ways to showcase even the most seemingly inaccessible collection .

A Social Media Account Is Just More Work. Who Is to Say There Will Even Be a Return on This Effort?

If reaching the technologically savvy and younger generations is a priority for you and your collection, social media isn’t something you can afford to ignore. There are alternative solutions for organizations with tighter budgets or time constraints. The Library of Congress archive blog has a technical how-to for creating a bot that randomly shares images from an archive.

One of the many benefits of technology is the way that it constantly makes itself easier to use, so the possibilities for bots and programs managing social media accounts can only grow. Right now, bots may not generate the same level of excitement as a curated account, but they are better than nothing!

My Collection Isn’t Digitized

It would be difficult to share on a digital medium that which is not digital. A collection kept on paper, in boxes, is not only limited in the means of gaining an audience, being available for research, and enriching the lives of strangers, but it is also at risk of loss. Anderson Archival is ready to build a digital library from your materials and ensure the safety of your collection with secure digital backups.

An audience for your collection is out there, and social media can help you find it. Creating a digital library is half the battle, but don’t let that library go unused!

Are you ready to start a social media account for your digital collection?

Three Ways to Make the Most of Your Digital Collection’s Social Media Account

  1. Tie history to today. Use hashtags like #OnThisDay to showcase artifacts published “on this day in history,” or take a page from the marketer’s playbook and tie posts to trending topics. These may not be successful individual posts, but inclusion in hashtags may gain followers who were previously unaware of your collection.Is a piece of your collection relevant to breaking news? Share it, but be sure to make the context clear.
  2. Utilize trending topics within the archival community like #ArchivesHashtagParty, usually hosted by the twitter account. Members of the archival community and interested bystanders watch these topics. There are few other ways to put your collection in view of so many eyes!In addition to using hashtags, use social media to foster relationships within the archival community. Interactions between museums and collections can go viral, but even more beneficially, can mean shared audiences and resources.
  3. Create something worth sharing. Rather than pinpointing what this means for your particular collection, it is easier to identify a social media post that isn’t worth sharing. Search “history twitter” or “museum instagram” and examine the results. Does the account post interesting information and not just a link? Are the images compelling? Many accounts make the mistake of linking to the museum or collection website without giving a reason they wanted to share the post.There is something that just works about the digital library social media accounts for the Missouri History Museum and the St. Louis Art Museum.

What you do with your collection and how you share it is up to you. Anderson Archival is here to show you the possibilities and help make them happen. Is it important that your collection is preserved as a digital library, kept safe from loss, and available for future generations? Anderson Archival specializes in digital preservation and secure backup. Contact us today at info@andersonarchival.com to talk about your collection or sharing it with social media.

Worry-Free Audits with Anderson Archival

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Many businesses find themselves subject to regular audits by government agencies or conduct detailed internal audits on a regular basis. Whatever the nature of the audits, monthly, quarterly, or yearly cycles of digitization can significantly expedite this process and preserve content for digital storage, saving them for the future.

Handwritten notes are often necessary in industries where detail and security matters. Our digitization experts provide clean scans of documents of all types while keeping them secure.

Anderson Archival’s team is dedicated to accuracy when preserving your records. Where large-scale scanning firms may bulk process papers for scanning without care for organization, preservation of originals, or readability, our specialization in true digital preservation makes us the ideal choice when businesses look for accurate and organized digital scans.

Consolidate Physical Storage

Audits often provide incentive to organize records that would otherwise stack up unmonitored. Performing monthly, quarterly, or yearly cycles of digitization in preparation for government audits takes this even further. Not only will your records receive careful organization, but with digital scans the need for physical storage becomes all but eliminated.

Certainly, there are cases where physical originals are necessary. Anderson Archival’s focus on preservation ensures that these originals will be treated carefully and returned to you in top condition–which isn’t always the case with bulk scanning firms. However, once scanned, many physical copies are no longer needed. In those cases, we are happy to facilitate confidential shredding that frees up physical space in your office or storage facility.

Advanced Search for More Efficient Work

Through simple folder storage or advanced search functions with metadata added to your digital collection by our team, these documents continue to provide use to employees beyond the audit cycle. Instead of searching through file folders for a particular document or turn of phrase, you will be empowered to search the digital scans for titles or quoted content and get results in seconds.

Then, the digital copy of each document is already at hand for reference or sharing with a co-worker or client. If a government or internal audit requires only specific documents, the search function enables the fast collection and sending of these documents.

For even more advanced searches, our team can provide handwriting transcription. This makes not only print documents, but your notes accessible by search.

historical document photograph

Original: Photographed image from Goodrich’s Third Reader

Bulk scanning firms may offer optical character recognition (OCR) services, but these programs bring automatic results that are often riddled with errors, rendering search features useless. In the case of handwriting, highlighting, or other color interference, the automatic OCR process may leave whole swathes of data illegible or completely blank. Not the case with our detail-oriented team.

ocr results not proofread by professionals

OCR: Many bulk-scanning firms run originals through software without proofing the results.

Save valuable time and energy, and perform more efficient work. Expedite that work with Anderson Archival. Contact us today to discuss scanning for audits: call 314.259.1900 or email info@andersonarchival.com.