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Quotables: Launching Your Legacy: How You Can Impact the Next Generation (Just Luxe)

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Principal Farica Chang’s post in Just Luxe discusses the importance of conserving your legacy for the next generation. Whether that conservation is physical or done through digitization, ensure that family, community, and society members can access their history.

Click here to read the full article!

Do you have a historical document collection that you’d like to make more accessible, relevant, and impactful? Anderson Archival uses proprietary methods to digitize collections so they are easily searchable, ultimately accessible, and even more meaningful to a wide audience. Let us help you preserve your legacy today! Give us a call at 314.259.1900 or email us at info@andersonarchival.com.

What are Quotables? This is a category in our posts to highlight any professional publications that benefit from our expert archivist experience and quote us in articles for their readers. 

Visit Your Collection – From Home?

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The global response to COVID-19 has included mass closures, urging the public to stay at home and “shelter in place.” These conditions are not exactly conducive to visiting collections of art, books, or historical documents. Unfortunately, that means the majority of research, study, and reference has come to a stuttering halt. Unless, of course, the collection, museum, library, or entity has a robust internet presence that allows for faceted search, guided tours, and, most importantly, remote access.

For an organization like the St. Louis Art Museum, online access to the arts was already a major part of their mission. When the museum temporarily closed due to COVID-19, expanding access on that existing framework was a natural next step appreciated by those prevented from visiting in person.

Social Media Integration

Regardless of their social media presence prior to the mass temporary closures, museums now use these channels to reach new and dedicated audiences. The St. Louis Art Museum, for example, shares a piece of art every day on their website and social media.

Many museums already utilized Twitter, but recently they’ve ramped up their presence. Themed hashtags add a little fun by offering beautiful samplings of art or something a bit creepier. Even something as simple as a security guard learning the ropes of Twitter to showcase the National Cowboy Museum has made the news. All draw eyes, virtual visitors, and donation dollars.

No matter if they post every day or only once a week, these organizations bring a little bit of brightness to the digital landscape.

Participate at Home

Students and bored creatives stuck at home have been thrilled by interactive challenges and activities facilitated by museums. The Getty Museum challenge, where participants try to recreate a classic work of art with household objects, has generated some incredible depictions of time spent at home due to COVID-19.

Blanton Museum of Art, out of The University of Texas at Austin, has a wealth of #MuseumFromHome material including informational coloring pages, the perfect addition to an at-home art class or zen coloring for a quiet evening.

Is your museum or collection left in the dark because of limited in-person access? Contact Anderson Archival to explore your options!

Virtual Tours 

Beyond having materials available and searchable online, many museums offer virtual tours. These videos or guided web pages move beyond a collection of viewable documents to include video, commentary, and themes.

For a fee, the Winchester Mystery House can be experienced from the comfort of your home. The Immersive 360 Tour brings visitors through the bizarre building with narration and historical details.

With or without the optional Virtual Reality experience, the Pitt Rivers Museum’s online walk through is breathtaking. No need to worry about crowds or the price of getting to Oxford, UK; this resource provides the means to spend time looking at every exhibit at your own pace, enjoying the nuances of a museum with artifacts grouped by theme rather than time or place.

The natural world isn’t beyond a virtual visit, either. The Nevada board of tourism offers “Roam from Home,” with Google Earth explorations of ghost towns, landmarks, and even a forest of cars.

Collections of documents and printed matter make for stunning virtual visits in different ways from many of these examples, and a guide through themed virtual exhibits invites digital guests to sit down and explore the material in a new way.

 

Combining a few of these strategies and learning opportunities is the Library of Congress. Turning 220 years old this year is cause for celebration. Social media posts with #LOC220 will involve everyone! LOC also has an extensive series of webinars, videos, and interactive events that showcase their collections and ways individuals and families can learn from home.

 

The extra features and enhanced access that COVID-19 has unlocked don’t have to disappear when life returns to normal. One silver lining to this global pandemic is that it has invited everyone to rethink the ways people experience the world. Why not continue an interactive program with your collection? And even when physical visits are available once again, consider just how much a searchable online library accessible anywhere improves upon a single room with a finding aid.

Have you been inspired by the ways online access has been highlighted and cherished lately? Anderson Archival can help take your collection into the digital world. Give us a call at 314-259-1900 or an email at info@andersonarchival.com today!

Access to Your Archive: Make It Easy, Make a Difference

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Why digitize?

This is the question many archive owners, collectors, and curators face. In an increasingly digital world, analog access to collections and archives is still the norm. But should it be?

A Philosophical Question

If a tree falls in a forest and no one is around to hear it, does it make a sound?

In the spirit of that popular mental exercise, if a physical archive exists but no one can access it, does it impact the world?

Sadly, this is the state many archives find themselves in.

For collectors and curators, the problem of access is one that can seem insurmountable. Many collections are housed in personal residences, in a dedicated room of a library, or even in storage. Finding aids such as indexes or the Dewey decimal system assist those who can visit the material in person, but the barriers to access are high.

The Limits of Physical Access

Take the example of a hypothetical newspaper archive. The entire collection, frequently cited in family genealogy research, is only accessible in one location. Rather than attempt to visit the collection, researchers call the curator with their questions. Often, these researchers only know a name or a location or some other fragment of data, so the curator must wade through decades of material, and once they discover the desired information, the researcher receives a copy or scanned image.

For researchers, limited access means the process takes time and reliance on someone else to find the information they seek. Often, copies of originals come with a price tag because of the labor involved in retrieving them. Other times, the cost is borne by the original material, which experiences wear with every turned page.

For the curator, the system seems to work. People can access and use the collection to enhance their research. Why should they digitize?

  • Location: Instead of visiting or calling a single location, researchers could access the collection anywhere in the world with an internet-connected device. Potential visitors who may be limited by disability, travel funding, time, or state of emergency, could experience the collection digitally.
  • Condition: Instead of risking tears, smudges, and other damage with every physical search, the material could be safely stored in its current condition while allowing continued, constant digital use.
  • Search: Instead of relying on summary documents, finding aids, and the diligent labor of an authorized user, everyone accessing the collection could search for names, dates, locations, and other keywords, making the information they seek available in a click.

A real-world example of how digital preservation could have benefited mankind is that of the Museu Nacional of Brazil, which was almost completely lost to fire in 2018. It was the home of many unique collections and a frequent travel destination for researchers. Just months before the blaze, researcher Cassia Roth had traveled to the museum to view one of the exclusive collections in the massive archive housed there.

I was there for just a few days, so I only took pictures of a small fraction of [the] collection, telling myself that I could always come back—the archives were not going anywhere,” she wrote.

The museum was a hub of research and innovation for hundreds of years, but lacked funding. Why should they have digitized?

  • Preservation: Hindsight is 20/20, but even without a disaster in the rearview mirror, curators could have investigated crowdfunding to restore the 200-year-old building’s faulty electrical and sprinkler systems or digitally preserve the museum’s collections over time.
  • Impact: The truth is, we may never know how many researchers and students were unaware of the contents of the Museu Nacional until reports of their loss. Online access to a collection doesn’t guarantee widespread knowledge, but it does facilitate the possibility.

Ultimately, if access and exposure are important to the curator of a collection or archive then digitization should definitely be considered. Don’t let inertia prevent you from taking the initial steps towards digitizing your collection.

Types of Digital Access

The good news is that digitization can revolutionize how a collection or archive is accessed and used. Each collection is unique and some types of digital access may be more suitable than others.

  • Open Access: Similar to the way Archive.org or Google Books function, this model makes all content fully searchable on the internet. Users may discover an archive through a wider web search.
  • Free Access Once Registered: Need to track who is accessing your collection? Requiring users to register prior to gaining access keeps the documents available to those who sign up, but has the feel of private access.
  • Paid Subscription: A potential revenue stream for the archive, this model unlocks the collection once a user has paid a fee.
  • Additional Paid Perks: All levels of access can also offer options to pay for special features like high-resolution printing, guided research aides, photo licensing, etc.

Every level of digital access eliminates the limitation of physical location, offers enhanced search options, preserves the original documents from continued exposure, and provides a mechanism through which your archive can be utilized fully.

 

Access is merely one of the powerful arguments for digitizing your collection. Are you ready to start the process and protect your collection from an uncertain future? Contact Anderson Archival today at info@andersonarchival.com or 314.259.1900.

use cases venn diagram

Who Will Use This Collection and How? All About Use Cases

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Use cases. It’s simply a term for capturing the functional requirements of a digital library. Each use case is written from the user’s perspective, defining who they are and how they want and expect to use the digital collection.

Understanding use cases is essential for determining how a collection will be best delivered, and what functionality needs to be built in.

Let’s imagine a collector owns a Sears, Roebuck, and Co. personal library of catalogues* that spans nearly 75 years, and they want to digitize it. Right now, they’re the only person using it in their study of American history to provide the cultural context of what people were buying, using, and interested in at particular points in time.

Currently, the magazines in the collection are physically arranged by date—this is how the collector imagines they will organize the collection digitally. They have already done a lot of physical work to categorize the collection, including making notes of what is in which volume.

The collector wants to make their collection of catalogues available to other historians, schools, and individuals, so they decide to employ a technical archival company to help develop the digitized collection and figure out the best way to showcase it.

When the collector talks to an archival company, one of the questions a digital archivist asks is, “What are your use cases?”

In other words, who will use this collection? In this imagined case of a digitized Sears catalogue collection, the collector works with the archival company to make estimations of these categories of users:

  • Historians and collectors
  • Students
  • Librarians and researchers
  • Historical Fiction Writers

Next, a sample of potential users should be interviewed about how they would like to use this collection. It’s important to talk to users directly because the quality of requirements will be better if they come directly from the users. Assuming how a group would utilize the collection could mean missing something crucial.

Read more about how Anderson Archival builds digital collections!

Discovering the use cases for these specific groups will help determine how the collection will operate, how it will appear, and how it will be accessed.

The first interview is with a researcher of Western Expansion. She wants to do specific research on the homes available for purchase in the catalogue. She plans to compare the results found in this collection to others she has found in scholarly work. She mentions that she would like to use search to narrow results by date, model number or name of the house, and price range. She wants to be able to search for exact phrases found in scholarly work, to verify that it appears in the collection.

The second interview is with a university student. He informs the interviewer that he does much of his electronic research on his phone. He mentions that he usually sends interesting articles or pictures to himself to later reference.

And the interview process continues.

The collection will need to accommodate the needs of all of these interviewees. Some key points of the interview findings might look something like this:

Historians and collectorsNeed a way to save pertinent documents or quotes easily. Want the ability to print historically accurate pages.
StudentsWant a fast, accurate search of keywords, mobile access, and the ability to share pages electronically.
Librarians and researchersKnow what they are looking for and expect to be able to search dates, volumes, and issues. Want to search exact phrases and verify what they know is in the collection.
Historical fiction writersWant to page through issues to get a sense of the era and need to search by date, category, or item type.

Once interviews have concluded and use case scenarios have been compiled, a technical archival company can then recommend the best tools, and in some cases, a custom software solution for the collection.

For Anderson Archival, this step is utilized in the development process. Knowing the current and potential users of a collection helps to determine how best the digital library should be delivered. Options can be as simple as using a PDF viewer to access a private library for only a few users, to as complex as custom online software with logins.

Technology is constantly evolving. If the collector wants to invest in digitizing right the first time, the collection should be optimized for cutting-edge technology so it will easily adapt to the new and better software and hardware developed every year.

Of course, each collection will be different and have specific needs for digitization, tagging, and its interface, but the goal for anyone digitizing their collection and defining use cases is to make their collection accessible and functional for as many types of users as possible.

Here are a few more tips for building your use cases:

  • Consider how your collection is different from others. What features could this collection offer that others do not?
  • As you think about use cases, focus on users’ functional needs and not software design.
  • Often, collectors think they know how users will use the collection, but actually interviewing potential users will uncover needs for critical functionality that otherwise is likely to be lost.
  • Developing detailed use cases, taking the time to learn from users, will make the final product of your digital collection much better!

Whether you’re developing use cases for a private collection or because you want to share your collection with the world, once your collection is digitized, you’ll have peace of mind. Your digital library will be preserved for generations to come and now others will be able to interact with it easily and share it.

If you want help developing a use case for your collection, contact Anderson Archival at 314.259.1900 or email us today!

*This theoretical collection is used purely for example purposes. Sears has a portion of their catalogue available online here.

magnifying glass over stack of papers

How Do You Build Effective Search? (Hint: Metadata and Tagging!)

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Does your digitization partner know your collection?

Search results, whether too broad or broken, often reveal how well archivists know your material. Proper use of metadata and tagging, from general information to specific facets only relevant to your collection, make all the difference.

For a company like Anderson Archival, the digitization process is only the first part of your digital collection’s story. Before beginning each project, we sit down with the owners and have a series of discussions to determine why this collection needs to be preserved digitally and how researchers, readers, teachers, learners, and the casually curious will interact with the digital library.

What is a digital library?

We dig deep into use cases. Who wants to access this collection and who do you want to provide access to? How and when will the collection be accessed? Do the majority of potential users use browsers, or are they on the cutting edge of technology, wanting something to work seamlessly on desktop, tablet, and phone? Will you require a subscription for access, keeping some of the collection behind a paywall? And, most important to this step, what information should be included in metadata and tagging?

What is Tagging?

Metadata is data about the collection, such as author, date, title, section, topic, era, etc. Tagging is a technical means to mark up the collection with this metadata.

Advanced or faceted search is built upon tagging. Metadata tagging breaks documents into pieces of information that the search engine utilizes to allow the user to refine their results. For example, in a collection of periodicals, most of the metadata is already present in the text of the first pages.

page of the New York Times from 1918

If this New York Times page was part of a digital library, it would include at least three data layers:

  1. The visible image.
  2. Searchable text.
  3. Helpful metadata tags.

Where HTML tags instruct a system how to display a certain document, XML metadata tagging tells a search engine what it is looking at, and where on the page search terms, topics, authors, and any other information can be found.

What is Faceted Search?

Generic, bulk search does a decent job finding exact text matches within documents and providing those documents as results. Advanced faceted search takes these results to another level.

advanced search options

If you’ve ever worked with a search page that looks something like the example above, you know the power of faceted search! Building the information and commands into the documents makes a search like this function.

Take the New York Times example above. This page, along with every article on it, would be tagged with the date, volume, and number of the particular issue. That way, if a user were to search for the word “armistice,” but limited the results to 1918, the main story on this page would appear in the results. If use cases indicated that users would benefit from being able to search by subject (WWI, Kaiser Wilhelm, etc.) even if the referenced term did not appear in the original text, tagging that information in the metadata would make sure that it appeared as a result of those searches.

The author is important to many collections. But what happens when that author is published under a married name, or a pseudonym? Most users would want complete results, regardless of how a name is printed on a page. This takes research, time, and care.

The terms and searches themselves vary depending on the collection and the users accessing it. Identifying these categories takes ongoing discussion and collaboration between the collection owners and digitization team. Because of the flexibility of tagging, almost any value can be marked. For example, a collection of Shakespeare’s plays may benefit from tagging each line, and encoding it with the line number. A user could search Act 3, Scene 1, line 61 in Romeo and Juliet and get the same result, “Ay, ay, a scratch, a scratch,” regardless of printed version referenced. Tags can identify where a sentence starts and stops, or, for something like Romeo and Juliet, the start and stop of lines of text, or when characters start and stop speech.

Your digitization company needs to know your collection inside and out in order to create metadata that powers an effective and comprehensive search.

What Does This Process Look Like?

When working with a digitization company, the process of building metadata and tagging the collection is ongoing. Once the process has started, you and your archival team may need to go back to the beginning to review your goals and refocus based on new findings.

Common steps in the process are:

  1. Define Use Cases. How is the digital collection going to be used, and by whom? Who is going to use the digital collection? How can search cater to the broadest number of potential users? What tags and information would benefit searchers and users?
  2. Build Data Dictionary. Also known as a metadata repository, this living document will hold all of the potential tags that will be employed in the collection.
  3. Accurate and Comprehensive Tagging. With the full knowledge of your collection, archivists spend time tagging and checking one another’s work for quality assurance.
  4. Implementation of Search. Once tagging is complete, archivists conduct thorough testing on whatever platform you choose to house your collection, confirming the quality of the user experience.

At each stage, your digitization company should grow to know your collection better. In the end, the accurate search and clear display of your collection will be a testament to how dedicated your team has been, providing an incredible return on your investment in digitization.

Are you looking for an innovative search solution for your collection? Contact Anderson Archival by phone at 314.259.1900 or email (info@andersonarchival.com) today.

Anderson Technologies

How It All Began: The Start of Anderson Archival

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Before Anderson Archival, there was Anderson Technologies. It might seem strange that an IT company would branch into digital archiving, but the story behind this expansion showcases what clients of both firms know about us: integrity, dedication, and client focus are core values at the heart of all we do. Our hallmarks include expertise and quality service because your satisfaction is how we define our success.

Anderson Archival came to fruition because we learned the hard way that sometimes to do a job right, you really must do it yourself.

The First Project

As Anderson Technologies, we provide far more than managed IT services support. When a client approached us years ago to digitize a large collection of documents for research purposes, we utilized our technical management capabilities to facilitate the project.

Identifying appropriate partners in the required disciplines to properly execute the project was harder than we anticipated. We eventually teamed with a local vendor to scan and restore the images and handle the optical character recognition (OCR) to convert pictures to text before we performed the document data tagging, software engineering, and quality assurance.

As the vendor delivered data to us, we identified numerous quality issues. They produced work that was not up to the high standards we needed for the collection. Missing pages, poor scan quality, and inaccurate conversion to digital text caused us to double check everything and send a great deal back to be redone. As the project continued, we realized we could have done things correctly the first time by bringing the tasks in-house.

The Problem

The experience taught us a great deal about digitization services, and we learned it takes more than technology to create a quality digital library. Anyone can get the best scanners or software on the market, but without dedicated employees, efficient systematization, the proper work environment, and an unflagging commitment to quality, the end result suffers.

For example, we later discovered the vendor only required a high school education for its staff. The goal of these workers, who were crammed together elbow-to-elbow in a conference room, wasn’t to produce the best product they could, but to push pages out the door as quickly as possible.

We also learned they didn’t have the necessary tools to facilitate the detailed quality control needed for the images. Though their scanners and software were excellent, their monitors were too small to display the entire page without being zoomed out so far that the image became useless for a quality check.

By the time the project was complete, we learned many lessons on how not to digitize historical documents for quality search results. When another client approached us with a project to digitize historical documents, we knew using traditional scanning vendors would produce inaccurate results. This time, we were going to do it ourselves and do it right.

More Than Just Scans

There is far more to digitizing a precious collection than simply scanning the pages. Our clients want extremely accurate search results, which means the images must be converted to text via OCR and labels (or tags) need to be inserted to guide the search engine to produce relevant feedback. This requires not only the correct software, but a great deal of time and attention to detail by those transforming the data. It is important to select a firm who will treat your collection with the same focus and enthusiasm you do.  Working with a third party who doesn’t cherish the opportunity to preserve your documents causes the end result to suffer dramatically.

Keep an eye on our blog to see how we applied these lessons and expanded into the business of historical document digitization. If you want to turn your collection into a quality digital library with the most accurate search results, contact Anderson Archival today at info@andersonarchival.com or by phone at 314.529.1900.

blockchain

More Than Bitcoin: Taking Blockchain Technology to Preservation

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What do Bitcoin and cryptocurrencies have to do with archiving? The technology cryptocurrencies are built on – the blockchain – is drawing attention from those who seek to innovate within all industries, including archival.

This is especially relevant for the future of the archival community, as blockchain holds a potential solution to problems of impermanence and authorship. Many institutions, such as the UK government’s National Archives and Civil newsrooms, are considering and advocating the merits of blockchain-based repositories. While these proposed repositories do not yet exist, in theory they could ensure continued, unalterable preservation through embedding full text or original image scans into the fabric of the blockchain.

As purveyors of archival collections know, there are potential problems that can plague digital and physical archives. Blockchain technology provides a theoretical answer for two of those problems: integrity of authorship and permanence.

What is the Blockchain?

The simplest explanation is that blockchain allows for the average person to trust the authenticity of the digital world.

The blockchain is a collection of transactions. “Each new block references every block before it—so changing one block corrupts the whole chain,” says Blockchain for Grandma. Powerful computers perform randomized math to build the blockchain, and each block in the chain is permanent, immutable, and static.

In the case of Bitcoin or other cryptocurrency on the blockchain, a transfer means another entry on the chain, which keeps a record of its creation and every transfer in its history. The massive network maintains its own integrity, confirming and double-checking every creation, or transfer.


A short blockchain explanation from Real Vision. “Each new block that is written contains something called a cryptographic hash, a small mathematical fingerprint of the blocks that came before it in the chain, making it extremely difficult to tamper with the data that resides inside the blocks.”

Blockchain embeds authentication into the document itself, and protects against tampering and modification. In essence, this works similarly to file-sharing services like DropBox or OneDrive, where local copies synchronize changes across all those with access.

Permanent digital records offer an enticing solution, especially in a world where records may easily be accidentally or maliciously deleted.

Integrity and Permanence Built into the Blockchain

Consider this scenario: A student writing a paper on Chaucer cites what is stated to be the original text reprinted in a textbook. Another student is able to present another instance of the so-called original text in an anthology, but that excerpt has changes. Obsessing over the disparity, the students track down other versions of that same “original text” to compare them. They discover that in one early printing, a comma was added and the spelling of a word modernized. Some textbooks reprinted the text prior to this printing, and some used the modern printing – all claiming to contain the original text.

Had this scenario unfolded on the blockchain, clear record would exist of the creation, editions inserting changes, and where copies originated. However, in the physical world, it is often unclear just where words have come from.

According to the Chicago Manual of Style, when conducting research, multiple sources should be used to confirm facts. Whenever possible, it recommends going back to the original source. How do you know you have an original? Aside from consulting an expert, signals of authenticity in the real world include watermarks, signatures, and embossed seals. This recommendation is intended to circumvent the type of error-introduction shown above. But when this vigorous research is not conducted, how much print and research is then tainted by incorrect publication of facts or text?

When a digital library offers original pages with searchable text, the integrity of that text is placed implicitly in the hands of the archivist.

Many times, historical documents only exist physically as single-copies that are inaccessible to researchers. Digital scans can easily introduce errors or inaccurate information if an archivist’s agenda strays from true preservation. Ultimately, there is very little beyond trust that guarantees a digital library is a valid source, displaying the original.

But when dealing with important topics, trust and integrity might not feel like enough. Blockchain-like records or blockchain itself could provide a solution.

Case Studies

Until now, blockchain has only been practical for ultra-simple archiving processes, such as embedding text into a cryptocurrency transaction. The technology and means for widespread use in digital archives simply doesn’t exist. However, that may soon change.

ARCHANGEL

In a strictly archival sense, the UK National Archives is testing how blockchain might create a way to verify the accuracy of archived documents through a project called ARCHANGEL. The project is intended to directly combat the problem of digital storage becoming obsolete and inaccessible, and is currently in development stages.

Civil

Focusing more on the journalistic side, Civil newsrooms propose utilizing blockchain technology in two ways. The first ensures that published content in approved newsrooms is permanent and maintains a permanent link to authors and facts. The second uses CVL token transactions, owned and transferred by members of the Civil community, to indicate which newsrooms are trustworthy and eligible to remain on the Civil platform. The biggest barrier to entry with Civil and CVL is the learning curve. If the public doesn’t understand the process of utilizing blockchain in journalism and digital archives, the worth of that technology drops, and a failed first launch attempt has proven that.

Because blockchain has such a steep barrier to understanding and entry, it isn’t likely to take the world by storm any time soon. And because one of the purposes of creating digital archives is access, blockchain isn’t a feasible solution yet.

While blockchain may be the solution for the future, Anderson Archival understands and provides the current methods and standards of preservation. However, we do explore myriad methods of keeping data and originals safe from deterioration. If you’d like to explore the options that future technology could hold for the integrity and preservation of your collection, contact us today at 314.259.1900 or info@andersonarchival.com!

http://dasch.rc.fas.harvard.edu/gallery/b41215.jpg

Quotables: Digitizing the Stars: Harvard University’s Glass Plate Collection

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Check out Anderson Archival’s recent contribution to bloggERS! The Blog of SAA’s Electronic Records Section. Digital Archivist Shana Scott presents a case study from Harvard University’s preservation of night sky photographs.

Scott tells the story of astronomer Dr. Henry Draper, his wife Anna, and the women of Harvard’s Observatory who were dedicated to the preservation of this incomparable collection.

Click here to read the full article!

Do you have a historical document collection that you’d like to make more accessible, relevant, and impactful? Anderson Archival uses proprietary methods to digitize collections so they are easily searchable, ultimately accessible, and even more meaningful to as wide an audience as possible. Let us help you today! Give us a call at 314.259.1900 or email us at info@andersonarchival.com.

What are Quotables? This is a category in our posts to highlight any professional publications that benefit from our expert archivist experience and quote us in articles for their readers.